The video installation, “Three Anachronisms,” is a trilogy produced between 2010 and 2014 by Mario Asef, in which the artist reflects on three aspects of the constitution of reality. 1. The appropriation and structure of space. 2. The construction of time. 3. The relationship among information, nature and culture. This trilogy, however, is not a philosophical treatise showing the functioning of these categories. Rather, the reality that Asef observes is constituted by deficiencies in three different orders: paradox, coincidence and failure.
The urge to wonder about reality occurs in advance, in the formal aspects of the work. Similar to a documentary, Asef dispenses with the staging. The facts are distant so that the artist can modify them directly. The fixed camera and the presence of common places (the terrace, the museum, the plaza), confirm that here the camera is negotiating with what is put in charge without preamble. The presence of a theoretical body, which is the basis for his work, the constant readings of sociological, philosophical and archaeological theories, construct the objectivist building from which Asef casts on reality.